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Implement 32 Auxiliary busses on existing D-Show systems...
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Since too trace was removed from plug in list,we need some fast way to check the fase and more with sound system , than i think its a good idea if a VENUE comes with SMAART ,ALL IN ONE!!!!!!
What do you thinking about?
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Display Aux Master Name next to aux send enconder on the input page. If there was a way for the name that you have assigned to the aux bus to be displayed next to the encoder it would be easier to know which encoder was what.
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two video monitors to view Plugins and Inputs
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Connect to the vpn with a wifi touch or iphone and have a menu system for access to things like osc on/off and assign, output geq and peq access, adjust all aux sends via rows of mini faders mimmicing flip mode(great for one man sound crews). snapshot recalls, console lock...the beat goes on...
Moderator Comments
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Password on lock screen. Had a few shows that i was a little uncomfortable walking away from the console. Had other bands and techs on stage while i was away.
Moderator Comments
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It would be great if there was a quick way to import only certain parts of one show file into another show. Similar to the "Import Session Data" in Pro Tools. When going to a venue that may have complex output routing, patching, processing, etc, it would be great to just import my input channels and leave all of their output stuff alone.
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Have the option to include the value of HPF to the channel EQ presets
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If you are in multi-select mode, pressing multi-select again should cancel.
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Ability to reverse only the left or right channel of a stereo channel. Me apologizing errors. I do not speak English. I am using a translator. I hope you understand.
Moderator Comments
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Parametric eq on all outputs instead of having to use plug ins.
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Something simple and useful.
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i am very pleased working on a wireless basis through a wifi router . i believe that the stand alone software would be more flexible for that condition , for example it would be very helpfull to be able to flip to faders a monitor send and mix while i am in front of it .
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I have communicated this idea with Digi, I want to see others think about this.
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I have become used to having everything stretched on my 16:9 monitor that now, 4:3 actually looks funny. However, it would be nice if there was a way to either use the additional real-estate or just clean up the video a little bit.
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Update existing driver for the SC48 to support greater than 18 tracks of recording via FWx.
(per http://duc.digidesign.com/showthread.php?t=245557)
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It would be great if the inputs from the 2nd Stage Rack were numbered 49-96.
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lets say I like to double patch a guitar to 2 channels, pan one channel left, pan the other right, use the faders to pan guitar, easy to center with faders eq (and if lucky the sum is perfect for boosting that solo). Gain is linked since it's the same head amp, but all other channel settings are not.
or using 2 mono groups as a stereo group and wanting the eq's to be linked
or multiple outputs to the pa that you want to link all the eq's for
or link the comp on you mix bus with the comp on your aux send (or matrix) to the subs.
Don't like the sound of the thing, but the linkable eq's and comps on the PM5D can be very useful.
Moderator Comments
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I would like to see a "Lock" feature, similar to locking a snapshot, where the show files are located. Every week I load a show template I've created, make my adjustments, then re-save as a new show. But it's too easy, when I'm working fast or when someone else is mixing for me, to overwrite the template on accident. If I had the ability to lock the template file, then at that point my only option would be to save a new show with the current settings. This would be very useful in a church or club environment where every show starts with the same patchbay setup and/or console layout.
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I can't use the master fader in my console setup because I'm using an aux sub-drive. If I adjust the master fader on the console, the balance between my tops and my subs gets thrown out of whack.
It would be great if there was a way to assign additional output busses to be controlled by the master fader so that I could control my sub drive along with my tops.
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When in flip mode allow encoders to work as gain, hipass, pan etc... without effecting faders.
Moderator Comments
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It would be cool if there was a way to link the onboard graphic EQ's. I'm typically running in an LCR configuration, and it would be nice to be able to link an EQ on the C Bus to the L/R Bus. This could also come in handy linking EQ's across multiple busses such as a couple of auxes or matrices.
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Digidesign claims that we can switch between multiple stage racks with one FOH with the use of RME bridge . we have used one RME bridge with two Stage racks to connect two Different FOH at the same time This solves the problem of analogue splits on the stage for monitor and FOH mix . they can have their own individual control over the inputs and out puts .
kartik
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Having the possiblilities to use Snapshots created in a show files on another show files
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if you have only one conselo for FOH and monitors!
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